Dance at your own Risk

Hello Dancers!

This is perhaps a dance floor, but there is very little music here. It's just too small to flap those arms and legs! To really let loose, please view this on a bigger floor (laptop or desktop). However, you can still see some interesting things and have a little dance. Make sure to click on the database      to see the different ways of dancing created for you by the cuers.

Hello Dancers!

This is perhaps a dance floor, but there is no music here. It's just too small to flap those arms and legs! To really let loose, please view this on a bigger floor (laptop or desktop) or try a mini dance on a tablet floor. You can still have an individual dance below, but dance at your own risk. And by the way, have you ever thought about how your device constricts your dancing...? Get in the groove fingers!

  • In order of appearance:
  • Renee Carmichael - The Cues Commence Here
  • Act 1 - Warm-up:
  • Eleni Papazoglou - Hello Frame
  • Freya Field-Donovan - Two Dances, New York City: 1935, 2015
  • Hamish MacPherson - A Movement Ontology Game
  • Samantha Harvey - iSurrender
  • Act 2 - Body and Code:
  • Liat Berdugo & Phoebe Osborne - Unpatentable Multi-touch Aerobics
  • Joana Chicau - Curtain Down
  • Holger Heissmeyer - Say Instructions
  • Benoît Maubrey - Audio Ballerinas
  • Verena Hermann - Pogo as Warfare
  • Eri Kassnel - Patterns
  • Nicholas Lawrence - John Cage - 2 Pages, 122 Words on Music and Dance (4e6963686f6c6173204c617772656e6365 Remix)
  • Lai Yi Ohlsen - 100 Scores
  • Act 3 - Darkness:
  • Matthew de Kersaint Giraudeau - LOOPS
  • Cliff Hammett - Spallanzani Watches the Walker
  • Matt Lewis - Can You Feel It? Dancing Through Scores
  • Lisa Erb - The Container
  • Angelina Voskopoulos - Exogenesis
  • Act 4 - Culture Out:
  • Susannah E. Haslam - Towards an ethics of intimacy.
  • Emilie Giles - Under and Over
  • Stephan Groß - Euro Beats
  • Maru Mushtrieva - An Invitation
  • Act 4 - Cool Down:
  • Oona Doyle - Feeling Cold
  • Thanks and Acknowledgements
  • This issue is up and dancing thanks to the following people for their support through the Kickstarter campaign, but also mentally and emotionally (and sometimes practically too) :

    aliba
    Alexander Fuchs
    Amal Khalaf
    Amy Alexander
    Anila Ladwa
    Ashley Fent
    anon
    Bakri
    Barbara Carmichael
    Brendan Howell
    Claudio Brangold
    Cliff
    Debra Hodous
    Dr Mike Blow
    Eirik Sördal
    Emilie
    Esther Samuels-Davis
    Eva
    Fools Paradise
    Gareth Foote
    Helen Kearney
    Jaana Davidjants
    Japricorn
    jeanadrian
    Jeremy Hale
    Julian Brangold
    Justine Boussard
    JFP
    Kate
    Line RJ
    Lucy A. Sames
    Lynn Carmichael
    Marcos
    Marit
    Marc
    Mark
    Matt Lewis
    Mauro Brangold
    Megha Ralapti
    Mora
    Plateau Print
    Peter & Katrina Barone (In honor of our Favorite Cousin Renee)
    Robin Carmichael
    Russ Preuit
    Sandra di Stasio
    Sarah Jury
    Vincent Van Uffelen
    Zequi
    & many, many more.
  • Cuer: Renee Carmichael

    Stretch 1: Get your scroll fingers ready.
    Do you scroll-up this way:
    or this way:
    Click on the video of your scroll direction.

    Cuer: Eleni Papazoglou

    Task 1: touch simultaneously.

    the fourcorners of theframe

    Task 2: Trace the outline of the frame.

    Task 3: Fit your whole body within the photographic frame.

  • scroll scroll scroll here here here down down down

    Cuer: Freya Field-Donovan
    Cuer: Hamish MacPherson

    Play

    Play

    Play

    Cuer: Samantha Harvey
    Cuers: Liat Berdugo & Phoebe Osborne
    Cuer: Joana Chicau

    "We encounter an interface, a stage for a series of choreographies to be performed. Are we the spectators or are we the performers? Nonetheless, the show must go on…"

    $("#dance-floor").animate({ scrollTop: $(document).height()-$(window).height() });
    Cuer: Holger Heissmeyer
    Say Scroll Right +
    Cuer: Benoît Maubrey
    Cuer: Verena Hermann

    "No history - no future, once again the post-political generation turned toward futurism, fully aware, that there is no way out of the ever tightening control machine, now propelled by digital technologies."

    $("#dance-floor").animate({scrollRight: 500});
    Cuer: Eri Kassnel
    Cuer: Nicholas Lawrence
    #dance-floor {
    overflow-x: scroll;
    }
    Cuer: Lai Yi Ohlsen
    {}
    Cuer: Matthew de Kersaint Giraudeau
    #dance-floor {
    overflow-y: scroll;
    }
    Cuer: Cliff Hammett

    sounds can penetrate

    in other species

    their structure is different


    function diagonal() {
    $("#dance-floor").animate({right: '+=500', top: '+=200'});
    }
    Cuer: Matt Lewis
    "It is the existence of the immaterial score in the form of PerlScript that facilitates the conception of sounds in our imagination ."

    function diagonal() {
    $("#dance-floor").animate({left: '+=500', top: '+=300'});
    }
    Cuer: Lisa Erb

    EXIT - IT'S BREAK TIME

    Cuer: Angelina Voskopoulos

    1. Floating in Space

    2. A star breath away

    3. The seed

    Cuer: Susannah E. Haslam
    Cuer: Emilie Giles

    You cannot describe it through words…you remember it through touch, not instructions…a creation that exists from your actions.




    Cuer: Stephan Groß
    Cuer: Maru Mushtrieva
    Error 404 - PAGE NOT FOUND

    SCRATCHING THE VIRTUAL OFF THE SKIN,
    WHILE TAKING A SELFIE AT THE SEASHORE

    Cuer: Oona Doyle

    _ _ _ _ _ _ _ _ )`'-.,_)`'-.,_)`'-.,_)`'-.,_)`'-.,_)`'-.,_)`'-.,_)`'-.,_ _ _ _ _ _ _ _ _ )`'-.,)`'-.,)`'-.,)`'-.,)`'-.,)`'-.,)`'-.,)`'-., _ _ _ _ _ _ _ _ _ )'-.,)'-.,)'-.,)'-.,)'-.,)'-.,)'-.,)'-.,)'-., _ _ _ _ _ _ ( `'-.,_( `'-.,( `'-.,_( `'-._( `'-.,( `'-., _ _ _ _ ( '-.( '-.,( '-.,_( `'-.,_ _ _ _ _ _ _ __( '-._( '-._( '-._( '-._( '-._( '-.__ (_.-' (_.-' (_.-' (_.-' (_.-' (_.-' _ _ _ _ _ _ __) '-._) '-._) '-._) '-._) '-._0) '-.__ )_.-' )_.-' )_.-' )_.-' )_.-' 0)_.-' ``'-.,_,.-'``'-.,_,.='``'-.,_,.-'``'-.,_,.='`` .-. .-. .-. .-. .-. .-. .-. .-. .-. '-' '-' '-' '-' '-' '-' '-' '-' '-'

    cmd- cmdr / win- winr / ctrl- ctrlr

    cmd- cmdr / win- winr / ctrl- ctrlr

    Scroll up to take your bow
    Nicholas Lawrence - John Cage - 2 Pages, 122 Words on Music and Dance (4e6963686f6c6173204c617772656e6365 Remix)
    Freya Field-Donovan - Two Dances, New York City: 1935, 2015
    Samantha Harvey - iSurrender
    Matt Lewis - Can You Feel It? Dancing through Scores, Maps & Raves
    Susannah E. Haslam - Towards an ethics of intimacy.
    Matthew de Kersaint Giraudeau - LOOPS
    Angelina Voskopoulus - Exogenesis
    Eri Kassnel - Patterns
    Joana Chicau - Curtain Down
    Oona Doyle - Feeling Cold
    Benoit Maubrey - Audio Ballerinas
    Eleni Papazoglou - Hello Frame
    Emilie Giles - Under and Over
    Maru Mushtrieva - An Invitation
    Holger Heissmeyer - Say Metadata
    Cliff Hammett - Spallanzani Watches the Walker
    Liat Bergudo & Phoebe Osborne - Unpatentable Multi­-touch Aerobics
    Verena Hermann - Pogo As Warefare
    Stephan Groß - Euro Beats
    Lai Yi Ohlsen - Divide and Conquer
    Hamish MacPherson - A Movement Ontology Game
    "When I create a video work, for the most part, I am creating videodance, (also known as screendance) - I am not documenting. I am making a dance for the camera. I choreograph a piece knowing that I will re-organize and ‘manipulate’ the material during the editing process, combining Elements such as time, space, speed and spatial composition. I incorporate the movement of the camera, as well as the composition of the frames. Even though the body in movement is the ‘seed’ and inspiration of screendance, the movement phrases also get ‘thrown’ around, the end becomes the beginning, the body gets fragmented and layers of dancers end up superimposed into different backgrounds, creating a new work, which in some cases is far from the movement material that it was based on. My decisions are based on the rhythm and composition of the the new piece, as well as on the design, contrast and the proximity to the camera. I am trying to create a creating a visual metaphor. Using a combination of both, narrative and location. The concept of a video choreography, in my films, is based on my own lyrics texts and ideas."